| 2021 |
June Art Fair, Basel |
| 2020 |
Helen Verhoeven, Stigter Van Doesburg, Amsterdam |
| 2019 |
Schamerkat, Hermitage, Amsterdam |
| 2019 |
Eleven Women, Circl, Amsterdam |
| 2018 |
Church 1, Stigter Van Doesburg, Art Basel Statements, Basel |
| 2018 |
Oh God, Bonnefantenmuseum, Maastricht |
| 2016 |
Libby Libby Libby, Stigter van Doesburg, Amsterdam |
| 2015 |
Peggy Franck en Helen Verhoeven, Apophänie, De Nederlandse Bank, Amsterdam, NL |
| 2015 |
Wallspace, New York, US |
| 2013 |
Mother, Stigter van Doesburg, Amsterdam, NL |
| 2013 |
The Waiting, Galerie Parisa Kind, Frankfurt, DE |
| 2012 |
Stage Disasters, Wallspace, New York, US |
| 2012 |
Part Pretty, SCHUNCK, Heerlen, NL |
| 2010 |
The Thingly Character, Galerie Diana Stigter, Amsterdam, NL |
| 2010 |
Art Show I - Helen Verhoeven, KLEMM’S project room 7d5e, Berlin, DE |
| 2008 |
Event Two, Mesler & Hug, Los Angeles, US |
| 2008 |
Event One, Wallspace, New York, US |
| 2007 |
The Beautiful Many, Galerie Fons Welters, Amsterdam, NL |
| 2006 |
Saints, Wallspace, New York, US |
| 2004 |
Nightmares, Wallspace, New York, US |
| 2021 |
Our Beginnings Never Know Our Ends, Museum of Contemporary Art North Miami |
| 2021 |
Maria Magdalena, Museum Catharijneconvent Utrecht |
| 2021 |
Grensverkenners, Paleis Amsterdam |
| 2020 |
Mensbeeld, Arti et Amicitiae Amsterdam |
| 2020 |
Features, Museum Nikolaikirche, Berlin |
| 2020 |
Frutti di Mare, Galerie Hartwich Sellin auf Rügen |
| 2018 |
Neue Heimat, Willem Twee Kunstruimte, Den Bosch |
| 2018 |
Out of the Office, Singer Museum, Laren |
| 2018 |
De Meest Eigentijdse Schilder Kunst, Dordrechts Museum, Dordrecht |
| 2018 |
Helene Appel, Alisa Margolis & Helen Verhoeven , Galerie Judin, Berlin |
| 2017 |
Vaste Collectie: Beeldende Kunst 1850-heden, Utrecht Centraal Museum |
| 2017 |
Vele gezichten van het LUMC, LUMC, Leiden |
| 2017 |
Paint it Soft, SCHUNCK, Heerlen |
| 2017 |
Neue Heimat, Willem Twee Kunstruimte, Renbeckhallen, Berlin |
| 2017 |
The Painted Bird, Marres, Maastricht |
| 2017 |
Stigter Van Doesburg, Liste, Basel |
| 2017 |
Neue Heimat, Willem Twee Kunstruimte, Den Bosch |
| 2016 |
10e Wolvecampprijs, Heartpool, Hengelo |
| 2016 |
Geen Woorden naar Beelden, LUMC, Leiden |
| 2015 |
Disturbing Innocence, The FLAG Art Foundation, New York |
| 2015 |
It’s not your paintings I like, It’s your painting, Stigter Van Doesburg, Amsterdam |
| 2015 |
Aanwinsten 2014–2015, LUMC, Leiden |
| 2014 |
Beating around the Bush, Bonnefanten Museum, Maastricht, NL |
| 2014 |
Disturbing Innocence, The FLAG Art Foundation, New York, US |
| 2013 |
Body Language, Saatchi Gallery, London, GB |
| 2013 |
Ten Years, Wallspace, New York, US |
| 2013 |
Far from the Madding Crowd, Bonnefanten Hedge House Foundation, Wijlre, NL |
| 2013 |
The Legend of the Shelves, Autocenter, Berlin, NL |
| 2012 |
Through an open window, Cont. Art from the Rabo Art Collection, Institut Neerlandais, Paris, FR |
| 2012 |
Der Gemalte Raum/Painted Space,Works from the Essl Collection in the Schomer Hause,Klosterneuburg,AT |
| 2012 |
Made in Germany Zwei,Sprengel Museum Hannover/ Kerstnergesellschaft/Kunstverein Hannover, DE |
| 2012 |
Voor eeuwing de jouwe, Stadsgalerij Heerlen, NL |
| 2012 |
It Might As Well Rain Until September, Galerie Diana Stigter, Amsterdam, NL |
| 2012 |
What’s Up! – Young Painting in The Netherlands, Dordrecht, NL |
| 2012 |
Door Schildersogen/From a Painter’s Perspective, Arti et Amicitiae, Amsterdam, NL. |
| 2012 |
Objects of Dismissal, AUTOCENTER, Berlin, DE |
| 2011 |
Bellevue, Stedelijk Museum Amsterdam, NL |
| 2011 |
Die irren sich, Galerie Mauer, Frankfurt, DE |
| 2011 |
Objects of Dismissal, Autocenter, Berlin, DE |
| 2011 |
Saatchi Gallery, London, GB |
| 2010 |
In.flec.tion, Hudson Valley Center of Contemporary Art (HVCCA), New York, US |
| 2010 |
RC de Ruimte, Ijmuiden, NL |
| 2010 |
Dirty Light-The Forgotten Bar, curated by Bettina Snellmann, Berlin, DE |
| 2010 |
Girl Overkill 2, Kunstlerhaus Bethanien, Berlin, DE |
| 2009 |
Play-curated by Nikola Cernetic, Monica de Cardena, Milan, IT |
| 2009 |
Girl Overkill, The Forgotten Bar, Berlin, DE |
| 2009 |
Pruesspress, Ritter/Zamer, London, GB |
| 2009 |
Retour New York – Amsterdam, Huize Frankendael, Amsterdam, NL |
| 2009 |
Nieuwe Schilders, LUMC, Leiden, NL |
| 2008 |
Koninlijke prijs voor Vrije Schilderkunst, GEM, Den Haag, NL |
| 2008 |
Lizabeth Oliviera, Los Angeles, US |
| 2007 |
Nada Art Fair, Miami, Wallspace Gallery, US |
| 2007 |
‘Some Kind of Portrait’ curated by Simon Watson & Craig Hensala, Marc Selwyn Fine Art, LA, US |
| 2007 |
‘Hedendaagse Figuratie # 2’ curated by Pim Trooster Kunstcentrum Hengelo, Hengelo, NL |
| 2007 |
‘About Contemporary Figuration’Safe Art, Dalfsen, NL |
| 2006 |
‘Recent Acquisitions Young Painting’ Sammlung Essl Museum, Vienna, AT |
| 2006 |
'Open Ateliers' Rijksakademie, Amsterdam, NL |
| 2006 |
'In order of appearance' - curated by Amalia Pica Living Art Museum, Reykjavik, IS |
| 2006 |
'Rijksakademie at Parts'Parts, Xiamen City, CN |
| 2006 |
328 Broadway, New York (NY), US, '25 Bold Moves' |
| 2006 |
Gallery W 52, New York (NY), US, 'The Presence of Absence' |
| 2005 |
Sammlung Essl Museum, Vienna, AT, 'Hotspots' |
| 2005 |
Bowie Van Valen, Amsterdam, NL, 'Seven Young Painters' |
| 2005 |
Burgdorf Goodman, New York (NY), US, 'The Exploding Plastic Inevitable' |
| 2005 |
Phillips de Pury & Co. East Gallery, New York (NY), US, 'Art Review 25: Emerging US Artists' |
| 2005 |
Rijksakademie, Amsterdam, NL, 'Open Ateliers' |
| 2004 |
Zimmer Museum, Los Angeles (CA), US, 'Show and Tell' |
| 2004 |
Warndorff Gallery, NL, 'Old and New Masters' |
| 2003 |
Wallspace Gallery, New York (NY), US, 'The Holiday Show II' |
| 2003 |
Wallspace Gallery, New York (NY), US, 'Photography as Model' |
| 2003 |
Fishtank, New York (NY), US, 'Space Invaders' |
| 2002 |
Artist Space, New York (NY), US, 'Night of a 1000 Drawings' |
| 2002 |
Sotheby's, New York (NY), US, 'Take Home a Nude' |
| 2002 |
I-Beam, New York (NY), US, 'New York Panel Project' |
| 2012 |
Helen Verhoeven, Part Pretty, SCHUNCK* |
| 2008 |
Helen Verhoeven, Events One and Two, artists Catalogue |
| 2007 |
William Booth, “Big Walls to Fill” Washington Post |
| 2007 |
NRC Handelsblad, February |
| 2007 |
BLVD Magazine, NL ‘100 Veelbelovende Vrouwen’ |
| 2007 |
Amsterdam Weekly |
| 2006 |
S. Spijkerman, Kunstbeeld, 'Tussen Pixel en Pigment:Jonge schilders/constructie van de voorstelling |
| 2005 |
Eric Fischl, The Believer 'Eleven Artists from Everywhere' |
| 2005 |
Simone Simon, Elegance, 'Drie talentvolle dertigers', nr. |
| 2005 |
Maura Egan, The New York Times Magazine, 'Trail Blazers'' |
| 2005 |
Sandra Spijkerman, Trouw, 'Kunstenaars krijgen ruimte op de Open Ateliers van Rijksakademie' |
| 2005 |
Daniel Kunitz and Joao Ribas, Art Review, 'The Art Review 25: Emerging US Artists' |
| 2004 |
Viktor Froske, Elle Magazine, NL, 'Dutch-American Friendships' |
| 2004 |
Elle Wonen, 'De kunst van Helen Verhoeven' |
| 2003 |
Paper Magazine, 'Paper VIP List', June |
| 2003 |
Marcel Kernz, Contemporary, 'Reconstructing Representation', nr.55, |
| 2002 |
Haarlems Dagblad, 'Drie geschilderde dagboeken van New York' |
| 2002 |
Palet Magazine, 'Dagelijks Leven in New York' |
| 2002 |
Haarlems Dagblad, 'Alweer Ernstig Afgeleid' |
| 2002 |
NRC Handelsblad |
| 2001 |
Haarlems Weekblad, 'Anna in etalage Warndorff Gallery' |
| 2001 |
Weekblad, 'Expositie Helen Verhoeven succesvol afgesloten' |
| 2001 |
Haarlems Dagblad, 'Een vrouw die haar rode blouse open knoopt' |
